Search results
Results from the WOW.Com Content Network
The music and lyrics were written in 1925 by Jimmy Campbell and Reg Connelly.They self-published the sheet music and it became their first big success, selling 2 million copies and providing the financial basis of their publishing firm, Campbell, Connelly & Co. [1] Campbell and Connelly published the sheet music and recorded the song under the pseudonym "Irving King".
" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
Jahn's verses [7] [8] express a close, friendly, and familiar friendship with Jesus, who gives life to the poet. It has been noted that the original German hymn was characteristically a lively hymn of praise, which is carried over somewhat into Bach's arrangement; whereas a slower, more stately tempo is traditionally used with the English version.
Jesus is coming soon, morning or night or noon; Many will meet their doom, trumpets will sound, All of the dead shall rise, righteous meet in the skies, Going where no one dies, heavenward bound. Verse 2: (not often included in recordings) Love of so many cold; losing their home of gold; This in God's Word is told; evils abound.
The Jaws soundtrack (officially Jaws: Original Motion Picture Soundtrack) is the music composed and conducted by John Williams for Steven Spielberg's 1975 film Jaws.The soundtrack is particularly notable for the 2-note ostinato which represents the shark, a theme so simple that Spielberg initially thought it was a joke by the composer.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
For premium support please call: 800-290-4726 more ways to reach us
"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...