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Italian term Literal translation Definition Attacca: attach, begin: Proceed to the next section without pause Cambiare: change: Any change, such as to a new instrument Da Capo (al fine) from the beginning (to the "fine") Abbreviated as D.C., informs the performer to go back to the beginning (capo) (finishing where the part is marked fine). Dal ...
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The ottava rima stanza in English consists of eight iambic lines, usually iambic pentameters.
Rhymed forms of Italian poetry include the sonnet (sonnetto), terza rima, ottava rima, the canzone and the ballata. [3] Beginning in the sixteenth century, unrhymed hendecasyllabic verse, known as verso sciolto, became a popular alternative (compare blank verse in English). [4] Feminine rhymes are generally preferred over masculine rhymes.
"Halaj, belaj, malučký" ("Sleep, Sleep, Little One") – This lullaby is from the east of Moravia, where the dialect is influenced by the Slovak language, and also folk songs are similar to the Slovak ones from across the border. A boy is promised the essential food for infants, kašička, a smooth mixture made of milk and flour.
Sigmund Spaeth was eventually to have fun with the rhyme by adapting it to a number of bygone musical styles as The musical adventures of Jack & Jill in Words & Music: A Book of Burlesques, (Simon and Schuster, 1926). These included a Handel aria, Italian operatic and Wagnerian versions. [27]
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
Adelaide Hall appears in the earliest post-war BBC telerecording singing "Chi-Baba, Chi-Baba (My Bambino Go to Sleep" live at RadiOlympia Theatre on October 7, 1947, for a BBC TV show entitled Variety in Sepia. [4]