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The Bhagavad Gita (/ ˈ b ʌ ɡ ə v ə d ˈ ɡ iː t ɑː /; [1] Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), [a] often referred to as the Gita (IAST: gītā), is a Hindu scripture, dated to the second or first century BCE, [7] which forms part of the epic poem Mahabharata.
Hebrew Bible text of Deuteronomy 32:1–4 as written in a Jewish Sefer Torah.. According to verses 16–18 of Deuteronomy 31, [5] YHVH met with Moses and his nominated successor Joshua at the "tabernacle of meeting" and told them that after Moses' death, the people of Israel would renege on the covenant that YHVH had made with them, and worship the gods of the lands they were occupying.
Prabhavananda and Isherwood explain how the Gita is actually just a small part of the epic poem, the Mahabharata (chapters 23–40 of book 6). It's also explained why the original is in all verse, but they decided to be more flexible with the writing, "...we have translated the Gita in a variety of styles, partly prose, partly verse.
The Song of the Sea (Hebrew: שירת הים, Shirat HaYam; also known as Az Yashir Moshe and Song of Moses, or Mi Chamocha) is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18. It is followed in verses 20 and 21 by a much shorter song sung by Miriam and the other women.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893 The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
Hannah praises Yahweh, reflects on the reversals he accomplishes, and looks forward to his king.. There is a movement in this song from the particular to the general. It opens with Hannah's own gratitude for a local reversal, and closes with God's defeat of his enemies – a cosmic reversal.
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
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