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Dialogue, in literature, is conversation between two or more characters. [1] If there is only one character talking, it is a monologue. Dialogue is usually identified by use of quotation marks and a dialogue tag, such as "she said". According to Burroway et al.,
She gives examples from literature of point-of-view variations. First person and third person are discussed, and even an example of writing fiction in second person is given. Chapter Six: Character; Using examples from the works of Heinrich von Kleist and Jane Austen, Prose discusses how writers can develop characterization. She mentions that ...
Screenplay – a story that is told through dialogue and character action that is meant to be performed for a motion picture and exhibited on a screen. Short story – a brief story that usually focuses on one character and one event. Tall tale – a humorous story that tells about impossible happenings, exaggerating the hero's accomplishments.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Expository writing is a type of writing where the purpose is to explain or inform the audience about a topic. [13] It is considered one of the four most common rhetorical modes. [14] The purpose of expository writing is to explain and analyze information by presenting an idea, relevant evidence, and appropriate discussion.
Introspection (also referred to as internal dialogue, interior monologue, or self-talk) is the fiction-writing mode used to convey the thoughts of a character, allowing the expression of normally unexpressed thoughts. [17] Introspection may also be used to: enhance a story by allowing the character's thoughts to deepen characterisation
Dialogue often included - tense may change to the present or the future. Descriptive language to create images in the reader's mind and enhance the story. Structure. In a Traditional Narrative the focus of the text is on a series of actions: Orientation (Introduction) in which the characters, setting, and time of the story are established.
Before a writer crafts a scene, its purpose must be known as it relates to the story, because each scene must advance the plot. If nothing new happens, if the character has not been changed, then the scene is not effective. Each scene should be a response to the one that came before it. Something happens that makes the character react or change.