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Greek name English name Description The Twelve Titans Κοῖος (Koîos) Coeus: God of intellect and the axis of heaven around which the constellations revolved. Κρεῖος (Kreîos) Crius: The least individualized of the Twelve Titans, he is the father of Astraeus, Pallas, and Perses. Implied to be the god of constellations. Κρόνος ...
Key: The names of the generally accepted Olympians [11] are given in bold font. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background. Key: Dotted lines show a marriage or affair. Key: Solid lines show children.
The middle son of Cronus and Rhea. Brother of Zeus and Hades. Married to the Nereid Amphitrite; although, as with many of the male Greek gods, he had many lovers. His symbols include the trident, horse, bull, and dolphin. Demeter: Ceres: Goddess of the harvest, fertility, agriculture, nature and the seasons.
Goddesses from Greek mythology Subcategories. This category has the following 28 subcategories, out of 28 total. ... Pages in category "Greek goddesses" The following ...
Many of the Greek deities are known from as early as Mycenaean (Late Bronze Age) civilization. This is an incomplete list of these deities [n 1] and of the way their names, epithets, or titles are spelled and attested in Mycenaean Greek, written in the Linear B [n 2] syllabary, along with some reconstructions and equivalent forms in later Greek.
Toggle Greek mythology subsection. 21.1 Cappadocian. 21.2 Cretan. 21.3 Minoan. ... This is a list of goddesses, deities regarded as female or mostly feminine in gender.
Ancient Greek theology was polytheistic, based on the assumption that there were many gods and goddesses, as well as a range of lesser supernatural beings of various types. There was a hierarchy of deities, with Zeus , the king of the gods, having a level of control over all the others, although he was not almighty.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
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