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Audio compression may refer to: . Audio compression (data), a type of lossy or lossless compression in which the amount of data in a recorded waveform is reduced to differing extents for transmission respectively with or without some loss of quality, used in CD and MP3 encoding, Internet radio, and the like
These algorithms almost all rely on psychoacoustics to eliminate or reduce fidelity of less audible sounds, thereby reducing the space required to store or transmit them. [2] [46] The acceptable trade-off between loss of audio quality and transmission or storage size depends upon the application.
On 31 March 2008 Sony all but dropped the ATRAC-related codecs in the United States and Europe, and in their SonicStage powered Connect Music Store (Sony's equivalent of iTunes and iTunes Music Store). This was partly due to low adoption of the format, with a source claiming that 90% of European Walkman users did not use ATRAC.
Transparency, like sound or video quality, is subjective. It depends most on the listener's familiarity with digital artifacts, their awareness that artifacts may in fact be present, and to a lesser extent, the compression method, bit rate used, input characteristics, and the listening/viewing conditions and equipment. Despite this, sometimes ...
Audio file icons of various formats. An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression.
FLAC (/ f l æ k /; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation.
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression.It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate.
A notable exception is MP3 files, which are raw audio coding without a container format. De facto standards for adding metadata tags such as title and artist to MP3s, such as ID3 , are hacks which work by appending the tags to the MP3, and then relying on the MP3 player to recognize the chunk as malformed audio coding and therefore skip it.