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This short treatise professes to be the introduction to a translation of a speech by Demosthenes called On the Crown, and a speech of his rival, Aeschines, called Against Ctesiphon. Cicero was an advocate of free translation: "The essence of successful oratory, he insists, is that it should 'instruct, delight, and move the minds of his audience ...
The first half, Lost Books of the Bible, is an unimproved reprint of a book published by William Hone in 1820, titled The Apocryphal New Testament, itself a reprint of a translation of the Apostolic Fathers done in 1693 by William Wake, who later became the Archbishop of Canterbury, and a smattering of medieval embellishments on the New ...
A Short Organum for the Theatre" ("Kleines Organon für das Theater") is a theoretical work by the twentieth-century German theatre practitioner Bertolt Brecht. [1] It was written while in Switzerland in 1948 and published in 1949. [ 2 ]
Chapter 1 determines the time and the manner of the reading of Shema in the evening and in the morning, and the number of blessings which precede and follow the reading; the controversy between the Houses of Hillel and Shammai regarding whether to stand, recline or sit during the recital; and the blessings before and after the Shema. [1] [2]
The book is arranged in two parts, the first of 32 chapters and the second of 40, each part preceded by a prologue, and the work as a whole concluded with an epilogue. All the first part and 31 of the 40 chapters of the second concern pneumatology (doctrine on the Holy Spirit ).
The scene closes with the assurance "If God be for us, who can be against us". As a contrast to the following choral conclusion of the oratorio, it is sung by the soprano. Towards the end, Handel quotes the characteristic intervals beginning Martin Luther's chorale Aus tiefer Not schrei ich zu dir several times, leading into the final chorus.
He composed several poems. He also wrote a short treatise in epistolary form, which deals with the nature of nothing and darkness, De nihilo et tenebris. [3] The epistle was written probably during the author's residence at Tours. It is addressed "to all the faithful and to those who dwell in the sacred Palace of the most serene prince Charles".
Scene 2: "The prophecy of the coming of Messiah and the question, despite (1), of what this may portend for the World" (movements 5–7) Scene 3: "The prophecy of the Virgin Birth" (movements 8–12) Scene 4: "The appearance of the Angels to the Shepherds" (movements 13–17) Scene 5: "Christ's redemptive miracles on earth" (movements 18–21 ...