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Ethiopian liturgical chant, or Zema, is a form of Christian liturgical chant practiced by the Ethiopian Orthodox Tewahedo Church. [ 1 ] [ 2 ] The related musical notation is known as melekket . [ 3 ]
Jesus' crucifixion which led to his death on a Friday, according to Orthodox thought was for the purpose of fulfilling the word of God, and led to the conquest of death and Jesus' resurrection from the tomb after three days, the third day being the Sunday when Ethiopian Easter is celebrated. Fasika is a climactic celebration.
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
According to manuscripts of the Ethiopian Orthodox Church, Emperor Zara Yaqob (r. 1434–1468) brought one of the True Cross piece on which Jesus Christ was crucified to "Gishen Amba" and buried under the church of God. The Ethiopian Orthodox celebrates Meskel on 27 September (28 September in leap year) and the lodging of the pieces of the True ...
The Book of Deggua (Ge'ez: መፅሃፈ ድጓ, De'guaa, means "lamentation") is a hymnary guideline of the Ethiopian and Eritrean Orthodox Tewahedo Churches written by the 6th-century composer Yared. The great Deggua is called Mahlete Yared (treasury). Saint Yared singing before Gebre Meskel, king of Axum
The worship of the Eastern Orthodox Church is viewed as the church's fundamental activity because the worship of God is the joining of man to God in prayer and that is the essential function of Christ's Church. The Eastern Orthodox view their church as being the living embodiment of Christ, through the grace of His Holy Spirit, in the people ...
Saint Yared (Ge'ez: ቅዱስ ያሬድ; 25 April 505 – 20 May 571) [2] [3] [4] was an Aksumite composer in the 6th century. Often credited with being the forerunner of traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church.
It also discusses the conversion of Ethiopians from the worship of the Sun, Moon, and stars to that of the "Lord God of Israel". As the Ethiopianist Edward Ullendorff explained in the 1967 Schweich Lectures, "The Kebra Nagast is not merely a literary work, but it is the repository of Ethiopian national and religious feelings". [7]