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This category collects images that are scans, screen captures, photos, and/or illustrations of Flash Gordon and related characters and intellectual properties for which King Features Syndicate holds the copyright and/or trademark. This includes material originally published by other companies.
A well-organized slide show allows a presenter to fit visual images to an oral presentation. The old adage "A picture is worth a thousand words" holds true, in that a single image can save a presenter from speaking a paragraph of descriptive details. As with any public speaking or lecturing, a certain amount of talent, experience, and rehearsal ...
The performance spawned multiple reproductions. In 1999, an Israeli artist painted Burden after Shoot based on an image in Lucy Lippard's 1973 Six Years: The Dematerialization of the Art Object. [10] Tom LaDuke's 2004 Self-Inflicted Burden is a three-foot self-portrait sculpture modeled after Burden after Shoot. [11]
All compositions by Gordon Lightfoot Side 1 "Bend in the Water" – 2:59 "Rainy Day People" – 2:48 "Cold on the Shoulder" – 3:00 "The Soul Is the Rock" – 5:49 "Bells of the Evening" – 3:56 "Rainbow Trout" – 2:51; Side 2 "A Tree Too Weak to Stand" – 3:22 "All the Lovely Ladies" – 3:35 "Fine as Fine Can Be" – 2:58 "Cherokee Bend ...
The award was first presented in 1958, and with the exceptions of 1964 and 1966 was given annually through 2002 when it was retired in favor of the newly created Dramatic Presentation (Long Form) and Dramatic Presentation (Short Form) categories, which divided the category depending on whether the work was longer or shorter than 90 minutes.
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The cats are named Waffle, Mr. Black, Simon, and Gordon. They were named after TenNapel's actual pet cats. After tragedy strikes the cats in a battle with the neighboring dog faction's guardian, causing the death of Simon, Waffle begins blaming himself for the trouble and goes into the woods to end his own life.
University of Queensland Art Museum. Outsider is a 1988 oil and acrylic painting by post-modern Indigenous Australian artist Gordon Bennett. [1] The painting focuses on issues of the increasing isolation Indigenous Australians feel in their own country, with the date the painting was painted in (1988) being the bicentennial anniversary of white settlement in Australia.
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