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The following conventions are used: Cognates are in general given in the oldest well-documented language of each family, although forms in modern languages are given for families in which the older stages of the languages are poorly documented or do not differ significantly from the modern languages.
Hindi: कल and Urdu: کل (kal) may mean either "yesterday" or "tomorrow" (disambiguated by the verb in the sentence).; Icelandic: fram eftir can mean "toward the sea" or "away from the sea" depending on dialect.
When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings depending on context. For example, Spanish dichoso [ 4 ] originally meant "fortunate, blissful" as in tierra dichosa , "fortunate land", but it acquired the ironic and colloquial meaning of "infortunate, bothersome" as in ¡Dichosas moscas ...
The term antonym (and the related antonymy) is commonly taken to be synonymous with opposite, but antonym also has other more restricted meanings. Graded (or gradable) antonyms are word pairs whose meanings are opposite and which lie on a continuous spectrum (hot, cold).
In linguistics, converses or relational antonyms are pairs of words that refer to a relationship from opposite points of view, such as parent/child or borrow/lend. [ 1 ] [ 2 ] The relationship between such words is called a converse relation . [ 2 ]
“We are powerful because we have survived.” — Audre Lorde “Where there is love, there is life.” — Mahatma Gandhi “We declare that human rights are for all of us, all the time ...
Charlophobia – the fictional fear of any person named Charlotte or Charlie, mentioned in the comedic book A Duck is Watching Me: Strange and Unusual Phobias (2014), by Bernie Hobbs. The phobia was created to mock name bias , a form of discrimination studied by researchers at the University of California, Berkeley and the University of Chicago .
Some of the king's ideas are progressive, but others cause people to suffer. One of the king's innovations is the use of a public trial by ordeal as "an agent of poetic justice", with guilt or innocence decided by the result of chance. A person accused of a crime is brought into a public arena and must choose one of two doors. [1]