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The wearing of signet rings (from Latin "signum" meaning "sign" or "mark") dates back to ancient Egypt: the seal of a pharaoh is mentioned in the Book of Genesis. Genesis 41:42: "Removing his signet ring from his hand, Pharaoh put it on Joseph's hand; he arrayed him in garments of fine linen, and put a gold chain around his neck."
The Theseus Ring is a gold signet ring that dates back to the 15th-century BC, in the Mycenaean period, though the subject is typical of Minoan art. The ring is gold and measures 2.7 x 1.8 cm. On the ring is a depiction of a bull-leaping scene, which includes a lion to the left and what may be a tree on the
Solomon's seal Talismanic scroll bearing Solomon's Seal, 11th-century Fatimid Caliphate. The Seal of Solomon or Ring of Solomon (Hebrew: חותם שלמה, Ḥotam Shlomo; Arabic: خاتم سليمان, Khātam Sulaymān) is the legendary signet ring attributed to king Solomon in medieval mystical traditions, from which it developed in parallel within Jewish mysticism, Islamic mysticism and ...
A gold signet ring and its impression. Ashmolean Museum. Minoan seals are impression seals in the form of carved gemstones and similar pieces in metal, ivory and other materials produced in the Minoan civilization. They are an important part of Minoan art, and have been found in quantity at specific sites, for example in Knossos, Malia and ...
In line B.1 a wide blank space was intentionally left free between the names of the sender and the adressee (here rendered by the ‘—’ sign). The string closing the accompanying money bag was made to pierce this blank space, then knotted, after which the knot was sealed, thus guaranteeing the receiver of the money transport that the money ...
Bread stamp depicting Romulus and Remus suckling at the she-wolf (1st century). A signaculum is a general Latin term for a seal or sign produced by a stamp or signet ring, [1] used in modern scholarship in particular reference to Roman lead pipe inscriptions, brick stamps, bread stamps, [2] and the lead "dog tag" of Roman soldiers.
Argaman (Tyrian purple) was another luxurious ancient dye, and was symbolic of royal power. [19] Tola'at shani ("scarlet") was considered a striking and lively color, [20] and was used in priestly garments and other ritual items, [21] but could also symbolize sin. [22] White (as in linen or wool garments) symbolized moral purity. [23]
Various texts suggest that next to gem-engraving, Pyrgoteles was responsible for coin dies as well, and coinage was one of the main forms of propaganda and marketing of images in the ancient times. Coinage was the standard medium for diffusing royal imagery in the Hellenistic period and allowed emperors to be remembered and altered to fit the ...