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The Piano Sonata No. 2 was Shostakovich's first solo piano composition since the 24 Preludes, Op. 34 from 1933 and his second attempt at composing a piano sonata in the key of B minor. [ 1 ] In late 1942, Shostakovich and his family were living in the city of Kuybyshev (present-day Samara), where they had been evacuated by the Soviet government ...
The closing movement is a headlong rondo.The middle section recalls the opening motto from the first movement, albeit with the first note missing. [2] In the extremely virtuosic coda, the motto, transformed and abbreviated, is hammered out violently amid swirls of harried notes, and then played in full in rapid, stammering descending chords.
Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4]
With its tonic note being a white key on the piano, and its parallel minor (relative to E♭♭ major) having 10 flats, its usage is generally undesirable. C♭ major does appear in Campagnoli's and Rinck's works mentioned below, along with A# minor, but those collections include both members of all six enharmonically equivalent pairs. [8]
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
The music is labeled as being in the key of B-flat major, and contains musical elements pointing to B-flat as a home note in the vein of the classical sonata form: a first theme centered on B-flat, a second theme whose iteration in the exposition is centered on A-flat and whose iteration in the recapitulation is centered on B-flat, and an ...
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
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