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Mr. Holland's Opus is a 1995 American drama film directed by Stephen Herek, produced by Ted Field, Robert W. Cort, and Michael Nolin, and written by Patrick Sheane Duncan. [3] The film stars Richard Dreyfuss in the title role of Glenn Holland, a dedicated high-school music teacher who attempts to compose his own music while struggling to ...
An American Symphony ("Mr. Holland's Opus") is the symphonic piece played at the end of the 1995 film Mr. Holland's Opus. It was written by American composer Michael Kamen , and it won the 1997 Grammy for Best Instrumental Arrangement .
She had a critically acclaimed role as a disturbed teenager in Fun (1994), appeared as a music student in Mr. Holland's Opus (1995) and as a terrorized college student in the horror film Urban Legend (1998). She appeared in Vanilla Sky (2001), Two Weeks Notice (2002), Last Holiday (2006), 88 Minutes (2007), I Care A Lot (2020) and Longlegs (2024).
Cue the rock and roll. William H. Macy has taken on countless standout roles spanning his 50-year career. And 1995’s Mr. Holland’s Opus was no different, as he played Vice Principal Wolters ...
Dreyfuss at the Kennedy Center in 1997. Richard Dreyfuss is an American actor and producer. He won the Academy Award for Best Actor for his leading role in The Goodbye Girl (1977), [1] and was Oscar-nominated in the same category for his portrayal of the title character in Mr. Holland's Opus (1995).
Jean Louisa Kelly (born March 9, 1972) is an American actress and singer. After making her film debut as Tia Russell in Uncle Buck (1989) alongside John Candy, she appeared in a wide range of other films including The Fantasticks (1995) and Mr. Holland's Opus (1995).
The climax of “Nosferatu” is unlike any love scene you’ve ever seen before, a marriage of death, blood and sacrifice with definite emotion and a touching final shot. Oh, right, plus a naked ...
Mr. Holland's Opus: 1995: The American drama film features a hearing high school music teacher who aspires to compose music. He and his hearing wife have a deaf son, whom the teacher finds hard to accept due to the impossibility of his son hearing his intended composition. The teacher grows to accept his son as well as his own life. [33] [66 ...