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Critics who find that Tennyson identifies with the speaker read Ulysses' speech "affirmatively", or without irony. Many other interpretations of the poem have developed from the argument that Tennyson does not identify with Ulysses, and further criticism has suggested that the purported inconsistencies in Ulysses' character are the fault of the ...
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Amor fati is a Latin phrase that may be translated as "love of fate" or "love of one's fate".It is used to describe an attitude in which one sees everything that happens in one's life, including suffering and loss, as good or, at the very least, necessary.
Because irony involves expressing something in a way contrary to literal meaning, it always involves a kind of "translation" on the part of the audience. [41] Booth identifies three principal kinds of agreement upon which the successful translation of irony depends: common mastery of language, shared cultural values, and (for artistic ironies ...
Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature, [ 1 ] it is often accompanied by an ironic twist of fate related to the character's own action, hence the name "poetic irony".
Zadig or the Book of Fate public domain audiobook at LibriVox; Zadig, and other stories; chosen and edited with an introd., notes, and a vocabulary by Irving Babbitt (1905)" Zadig, and other tales, 1746-1767. A new translation by Robert Bruce Boswell (1910)" Zadig, An English Translation by Donald M. Frame (1961) (in French) Zadig, audio version
The Norns spin the threads of fate at the foot of Yggdrasil, the tree of the world. The three Moirai are known in English as the Fates. This derives from Roman mythology, in which they are the Parcae or Fata, plural of Latin: fatum, [11] meaning prophetic declaration
The concept of "serendipity" is a good English approximation of yuanfen in general situations not involving any elements of a romantic relationship. The French writer Émile Deschamps claims in his memoirs that in 1805, he was treated to some plum pudding by a stranger named Monsieur de Fontgibu.