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Lamberto Bava (born 3 April 1944) is an Italian film director. Born in Rome , Bava began working as an assistant director for his director father Mario Bava . Lamberto co-directed the 1979 television film La Venere d'Ille with his father and in 1980 directed his first solo feature film Macabre .
Pages in category "Films directed by Lamberto Bava" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. B.
Brivido Giallo is an Italian horror cable series that featured four full-length movies directed by Lamberto Bava. The films included in airing order are Graveyard Disturbance, Until Death, The Ogre, and Dinner with a Vampire.
'Photos of Gioia') [3] is a 1987 Italian giallo film directed by Lamberto Bava and starring Serena Grandi, David Brandon, George Eastman and Daria Nicolodi. [3] The film is about Gioia, the owner of the adult Pussycat magazine. She is harassed by a killer who sends her photos of her co-workers with her own erotic photography in the background.
Following the success of the film Demons and Demons 2 and other foreign horror films in Italy, the company Reiteitalia would announce in July 1986 that a series titled Brivido giallo which would be made featuring five made-for-television film directed by Lamberto Bava. [3]
Desideria e l'Anello del Drago (also known as Desideria and The Dragon Ring) is an Italian fantasy television miniseries directed by Lamberto Bava and starring Anna Falchi. The story is similar in style and direction as Lamberto Bava 's more successful Fantaghirò series.
The Ogre is a 1989 Italian television horror film directed by Lamberto Bava and written by Dardano Sacchetti. It was among four films made for the Italian television series Brivido Giallo . The film released outside of Italy as Demons III: The Ogre , where it was promoted as a sequel to Bava's films Demons and Demons 2 .
The film was listed at number 53 on American TV channel Bravo's The 100 Scariest Movie Moments countdown. [15] From retrospective reviews, Newman commented in Sight & Sound that the film was "the sort of picture it takes at least four people [...] to write: it isn't so much scripted as assembled" noting "one note characters". [16]
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