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Cante jondo (Spanish: [ˈkante ˈxondo]) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with hondo ("deep") spelled with J (Spanish pronunciation:) as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish.
Cante andaluz began to spread during the middle of the 19th century, and is a combination of other forms of folkloric music from Andalusia which demonstrate a definite influence of Gypsy flamenco music. Cante andaluz genres include the many variations of the fandango and cantinas.
"Voy a quedarme" (Spanish pronunciation: [ˈboj a keˈðaɾme]; "I am going to stay") is a song by Spanish singer Blas Cantó, written by Dan Hammond, Leroy Sanchez, Dangelo Ortega, and Cantó himself. It was released as a digital download and for s
'Venceremos' is an example of the Nueva canción movement of Chilean protest music, which had been gaining momentum for much of the previous decade. This song marks a significant recognition of the political thrust of this movement in its use as a tool of propaganda for the Unidad Popular coalition.
Flor y Canto Segunda Edición is a hymnal which includes 737 hymns and songs in Spanish in a variety of styles, representing music from the Americas, Mexico, Spain, Guatemala, Nicaragua, and Puerto Rico. 'Flor y Canto' is Spanish for 'flower and song'. Flor y Canto Segunda Edición was compiled by Rodolfo López. The second edition was ...
The Spanish classical composer Manuel de Falla (1876–1946) was the principal organizer of the Concurso. [3] He sought to encourage and enhance the music of cante jondo (literally "deep song", referring to a key element of flamenco, as opposed to "cante chico", the "lighter" more accessible element), which he sensed had fallen into a period of decadence. [4]
Nueva canción draws heavily upon Andean music, música negra, Spanish music, Cuban music and other Latin American folklore. Most songs feature the guitar, and often the quena, zampoña, charango or cajón. The lyrics are typically in Spanish, with some indigenous or local words mixed in, and frequently utilize the poetic forms of copla and ...
In June 2017, following the number one peak of "Despacito" in the Hot 100, Philip Bump of The Washington Post related the increasing success of Spanish-language songs in the United States since 2004 with the growth of its Spanish-speaking population, highlighting an improvement from 4.9% in 1980 to 11.5% in 2015. [11]