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"Angel Voices, Ever Singing" is an English Christian hymn. It was written in 1861 by the Church of England vicar Francis Pott (1832–1909). [ 1 ] It was written for the dedication of an organ.
George Frideric Handel. Jephtha (HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and Jephthes, sive Votum (Jeptha, or the Vow) (1554) by George Buchanan.
The new worship resource replaced its predecessor of 28 years before, the Lutheran Book of Worship (LBW) of 1978, and that hymnal's supplements: Hymnal Supplement 1991, published by GIA Publications, a Roman Catholic publishing house, and With One Voice (WOV), published by Augsburg Fortress in 1995.
Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
The motet is written for four voices, soprano, alto, tenor, and bass. It is set in imitative polyphony throughout, with attention to the meaning of the text in subtle word-painting . For the word " desiderat ", expressing longing, the pace is faster, and the melody rises, reaching its peak on the word " fontes " (streams, water, fountains).
Page from the Reims manuscript of the Libri Carolini.. The Libri Carolini ("Charles' books"), more correctly Opus Caroli regis contra synodum ("The work of King Charles against the Synod"), is a work in four books composed on the command of Charlemagne in the mid 790s to refute the conclusions of the Byzantine Second Council of Nicaea (787), particularly as regards the matter of sacred images.
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Like all who followed the regulative principle, he was extremely cautious about how worship music was utilized, because he believed God laid out very specific directions in the Bible on how one could worship. For example, Calvin initially allowed the use of instruments in worship music, but “advocate[ed] a careful and skillful use” of them ...