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In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
The "New Penguin Shakespeare" series ("NS") was edited by Terence Spencer and started in April 1967 with NS1 Romeo and Juliet. The books were accompanied by a new series of Shakespeare commentaries printed under the title "The Penguin Shakespeare Library" ("SL"), while on the spines of a few books in the prefix "PNS" has been used. [1]
The New Shakespeare was published between 1921 and 1969. [1] The series was edited by Arthur Quiller-Couch and J. Dover Wilson. [1]The earlier volumes of the series contain critical introductions by Quiller-Couch (signed "Q") and written in a belles lettres style that, according to R. A. Foakes in The Oxford Handbook to Shakespeare (2003), have been "largely forgotten".
William Shakespeare's influence extends from theater and literatures to present-day movies, Western philosophy, and the English language itself. William Shakespeare is widely regarded as the greatest writer in the history of the English language, [ 1 ] and the world's pre-eminent dramatist.
After Romeo kills Juliet's cousin Tybalt in a fit of passion, things fall apart. Both lovers eventually commit suicide within minutes of each other, and the feuding families make peace over their recent grief. Timon of Athens: c. 1607 [17] First published in the First Folio [18] No recorded performances during Shakespeare's lifetime. [17]
The two minor partners in the First Folio, William Aspley and John Smethwick, continued as partners in the Second Folio syndicate; Aspley owned the rights to Much Ado About Nothing and Henry IV, Part 2, while Smethwick owned the rights to Love's Labour's Lost, Romeo and Juliet, Hamlet, and The Taming of the Shrew.
The earliest tale bearing a resemblance to Shakespeare's Romeo and Juliet is Xenophon of Ephesus' Ephesiaca, whose heroic figure is a Habrocomes.The character of Romeo is also similar to that of Pyramus in Ovid's Metamorphoses, a youth who is unable to meet the object of his affection due to an ancient family quarrel, and later kills himself due to mistakenly believing her to have been dead. [3]
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