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Victorian fashion consists of the various fashions and trends in British culture that emerged and developed in the United Kingdom and the British Empire throughout the Victorian era, roughly from the 1830s through the 1890s. The period saw many changes in fashion, including changes in styles, fashion technology and the methods of distribution.
Writing as Mrs. Eric Pritchard, Marian was a regular columnist for The Lady and fashion editor for The Lady's Realm in the 1890s and 1900s. [7] [1] As a writer, Pritchard's work was noted for its sensuality and appreciation of the romantic and erotic potential of fashion, and how clothing could be used to present and construct the wearer's femininity. [7]
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Women moving out of the Victorian era and into the Edwardian era were starting to dress for a more active lifestyle. The evolving times brought a new fashion trend known as the "New Woman". Active lives required less constricting clothing and more simple and streamlined garments. The new woman was highly encouraged by women's suffrage.
The illustrated periodicals were eager to publish photographs of the actresses in the latest stage hits, and so the theatre became an excellent way for clothiers to publicise their latest fashions. [4] Poster for A Gaiety Girl. Gaiety girls were polite, well-behaved young women. They became a popular attraction and a symbol of ideal womanhood.
One specific piece of clothing was the sporting pantaloon or the women's bloomer; [4] originally worn in America in the 1850s as a women's suffrage statement by Amelia Bloomer, it turned into the ideal costume for women riding bicycles - an activity that was considered acceptable for women to participate in during the late 19th century. This ...
The Day Before Yesterday: A Photographic Album of Daily Life in Victorian and Edwardian Britain (1978) Customs and Characters: Contemporary Portraits (1982) Wanton Chase: An Autobiography from 1939 (1980), vol. 2 of autobiography; The Last Edwardians: An Illustrated History of Violet Trefusis and Alice Keppel (1985) with John Phillips and Lorna ...
In 1865, she became a member of the Photographic Society of Scotland and arranged to have her prints sold through the London dealers P. & D. Colnaghi. [20] She presented a series of photographs, The Fruits of the Spirit , to the British Museum , [ 8 ] : 8 and held her first solo exhibition in November 1865. [ 3 ]