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The Gullah would paint not only the porch, but also doors, window frames, and shutters. [8] Blue glass bottles were also hung in trees to trap haints and boo hags. [9] [10] As Gullah culture forcibly mingled with white southern culture, the custom became more widely practiced. [2]
The triadic color scheme is a three-color combination consisting of base color and two colors that are 120 degrees and 240 degrees apart from the base color. [6] Triadic color schemes tend to be quite vibrant. Even when using pale or unsaturated versions of hues, it offers a higher degree of contrast while also retaining the color harmony.
A shoji (障 （ しょう ） 子 （ じ ）, Japanese pronunciation:) is a door, window or room divider used in traditional Japanese architecture, consisting of translucent (or transparent) sheets on a lattice frame. Where light transmission is not needed, the similar but opaque fusuma is used [1] (oshiire /closet doors, for instance [2 ...
A beveled glass mirror, ca. 1910. Beveled glass is usually made by taking thick glass and creating an angled surface cut around the entire periphery. [1] Bevels act as prisms in sunlight creating an interesting color refraction which both highlights the glass work and provides a spectrum of colors which would ordinarily be absent in clear float glass.
Glass curtain wall of Bauhaus Dessau, 1926. Historically, buildings were constructed of timber, masonry, or a combination of both. Their exterior walls were load-bearing, supporting much or all of the load of the entire structure. The nature of the materials resulted in inherent limits to a building's height and the maximum size of window openings.
Glass block walls are constrained based on the framing in which they are set. If a masonry or steel frame exists, the maximum area of the wall can be 144 square feet (13.4 m 2), whereas the maximum area without a frame is 100 square feet (9.3 m 2). [5] The William Lescaze House and Office at 211 East 48th Street in New York City, built in 1934 ...