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Yellow ochre (PY43): a naturally occurring clay of monohydrated ferric oxide (Fe 2 O 3 ·H 2 O). Lead pigments. Naples yellow (PY41). Lead-tin-yellow: PbSnO 4 or Pb(Sn,Si)O 3. Strontium pigments. Strontium yellow (PY32): SrCrO 4; Titanium pigments. Titanium yellow (PY53): NiO·Sb 2 O 3 ·20TiO 2; Tin pigments. Mosaic gold: stannic sulfide (SnS ...
Burnt sienna contains a large proportion of anhydrous iron oxide. It is made by heating raw sienna, which dehydrates the iron oxide, changing it partially to hematite, giving it rich reddish-brown color. [2] The pigment is also known as red earth, red ochre, and terra rossa. On the Color Index International, the pigment is known as PR-102.
Payne's grey is a dark blue-grey colour used in painting. Originally a mixture of iron blue (Prussian blue), yellow ochre and crimson lake, [3] Payne's grey now is often a mixture of blue (ultramarine, phthalocyanine, or indigo) and black, [4] [5] or of ultramarine and burnt sienna.
Golden ochre is one of the oldest paints, known as a painting material since the times of cave paintings. In wall painting it is one of the main yellow pigments. Golden ochre has good density, the same covering power, high light fastness, pure color and soft structure. To this day it is used in all painting techniques without exception.
Umber has diverse hues, ranging from yellow-brown to reddish-brown and even green-brown. The color shade varies depending on the proportions of the components. When heated, umber becomes a more intense color and can look almost black. Burnt umber is produced by calcining the raw version.
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