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Advaita Vedanta refers to the three meanings that all words and sentences carry – the primary or direct meaning, the implied meaning and the suggested meaning. The implied meaning, known as Lakshana, is of three kinds – Jahallakshana which consists in discarding the direct meaning in favour of the indirect or implied meaning, Ajahallakshana in which the direct meaning is not completely ...
Dhanika has worked to collect example verses from various plays of the time for each rule or lakshana. (such as Ratnavali, Mrucchakatikam, Venisamhara, Mahaveeracharitam etc.) and add to this book. (such as Ratnavali, Mrucchakatikam, Venisamhara, Mahaveeracharitam etc.) and add to this book.
Lakshaṇa gītaṃ: the sāhityaṃ (lyrics), instead of praising God, enumerates in so many words, the lakshana of the raga, in which it is composed-giving among other details, its vakra svarā, graha, nysa, aṃśa svarā and its parent raga (mēḷakarta rāga). Most lakshaṇa gītaṃs have been composed by Purandara Dasa. [1]
Mohanam scale with shadjam at C. Mohanam is a symmetric rāga that does not contain madhyamam and nishādham.It is a symmetric pentatonic scale (audava-audava raga [1] [2] in Carnatic music classification – audava meaning 'of 5').
Mayamalavagowla scale with shadjam at C. Venkatamakhin defines its lakshana thus: . pūrṇō māḻavagouḻākhyaḥ sa grahō gīyatē sadā. Mayamalavagowla is the 3rd raga in the 3rd chakra, Agni.
Tarka-Sangraha (IAST: Tarka-saṅgraha) is a treatise in Sanskrit giving a foundational exposition of the Indian system of logic and reasoning.The work is authored by Annambhatta and the author himself has given a detailed commentary, called Tarka-Sangraha Deepika, for the text.
Mahapurana (महापुराण) or Trishashthilkshana Mahapurana is a major Jain text [1] composed largely by Acharya Jinasena during the rule of Rashtrakuta ruler Amoghavarsha and completed by his pupil Gunabhadra in the 9th century CE.
Tanmatras (Sanskrit: तन्मात्र = tanmātra) are rudimentary, undifferentiated, subtle elements from which gross elements are produced. [1] There are five sense perceptions – hearing, touch, sight, taste and smell – and there are five tanmatras corresponding to those five sense perceptions and the five sense-organs.