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Body-on-frame is a traditional motor vehicle construction method whereby a separate body or coach is mounted on a strong and relatively rigid vehicle frame or chassis that carries the powertrain (the engine and drivetrain) and to which the wheels and their suspension, brakes, and steering are mounted.
Ladder frame pickup truck chassis holds the vehicle's engine, drivetrain, suspension, and wheels The unibody - for the unitized body - is also a form of a frame. A vehicle frame, also historically known as its chassis, is the main supporting structure of a motor vehicle to which all other components are attached, comparable to the skeleton of an organism.
B movie B-roll baby plates backlighting backlot background actor See extra. background lighting balloon light barn doors beatscript below-the-line A term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials.
Metacinema, also meta-cinema, is a mode of filmmaking in which the film informs the audience that they are watching a work of fiction.Metacinema often references its own production, working against narrative conventions that aim to maintain the audience's suspension of disbelief. [1]
Holderman and Simms are like filmmakers who are longing for the day they can make a network series. Yet the first rule of "Book Club" is: Never underestimate the cheeky sentimental old-girl-power ...
A subframe is a structural component of a vehicle, such as an automobile or an aircraft, that uses a discrete, separate structure within a larger body-on-frame or unibody to carry specific components like the powertrain, drivetrain, and suspension. The subframe is typically bolted or welded to the vehicle.
In the early 1970s, Christian Metz and Laura Mulvey separately explored aspects of the "gaze" in the cinema, Metz stressing the viewer's identification with the camera's vision, [8] - an identification largely "constructed" by the film itself [9] - and Mulvey the fetishistic aspects of (especially) the male viewer's regard for the onscreen female body.
In moving picture (TV) the number of frames scanned per second is known as the frame rate. The higher the frame rate, the better the sense of motion. But again, increasing the frame rate introduces technical difficulties. So the frame rate is fixed at 25 or 29.97 . To increase the sense of motion it is customary to scan the very same frame in ...