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Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
Philippine folk instruments (3 C, 5 P) Pages in category "Philippine musical instruments" ... Traditional Philippine musical instruments; A. Agung; Agung a tamlang; B.
Pages in category "Caribbean musical instruments" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. A.
This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
A palendag, a Philippine bamboo flute of the Maguindanaon people. The palendag, also called Pulalu (Manobo [1] and Mansaka), Palandag (), [2] Pulala and Lumundeg is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). [3]
Traditionally, the dabakan is considered a masculine instrument by the Maranao [2] and a feminine instrument by the Maguindanao [6] [9] but as a sign of the times, one could see both men and women handling the dabakan. [5] In wooden kulintang ensembles, the takemba, a bamboo zither of the Manobo, is usually substituted for the dabakan part. [4]
Most of the variations of the Philippine bamboo panpipes can be traced to northern Luzon, where the instrument is known by different names. In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight.