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Thomas C. Anderson criticized Sartre for asserting without explanation that if a person seeks freedom from false, external authorities, then he or she must invariably allow this freedom for others. [9] Iris Murdoch found one of Sartre's discussions with a Marxist interesting, but otherwise considered Existentialism and Humanism to be "a rather ...
The philosopher Jean Wahl criticized Sartre's arguments about the topic of "nothing". [17] The philosopher Frederick Copleston described Sartre's view that all human actions are the result of free choice as "highly implausible", though he noted that Sartre had ways of defending his position. [18]
Sartre sees existentialism as a reaction to this abuse. [2] Sartre opens his first chapter by defining philosophy. He argues that there are many philosophies [3] and that a current, active philosophy unifies all current knowledge and represents the "rising" class becoming conscious of itself. [4]
Such persons are themselves responsible for their new identity (cruel persons). This is opposed to their genes, or human nature, bearing the blame. As Sartre said in his lecture Existentialism is a Humanism: "Man first of all exists, encounters himself, surges up in the world—and defines himself afterwards." The more positive, therapeutic ...
Martin Heidegger attacked Sartre's concept of existential humanism in his Letter on Humanism of 1946, accusing Sartre of elevating Reason above Being. [5]Michel Foucault followed Heidegger in attacking Sartre's humanism as a kind of theology of man, [6] though in his emphasis on the self-creation of the human being he has in fact been seen as very close to Sartre's existential humanism.
Sartre Studies International is a journal published by Berghahn Books in association with the United Kingdom Sartre Society and North American Sartre Society, and focuses on the philosophical, literary and political issues originating in existentialism, and explores the continuing vitality of existentialist and Sartrean ideas in contemporary society and culture.
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]
Sartre depicted a man in a café who has applied himself to a portrayal of his role as a waiter. The waiter thinks of himself as being a waiter (as in being-in-itself), which Sartre says is impossible since he cannot be a waiter in the sense that an inkwell is an inkwell.