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"Faces" is the final single released from Run-D.M.C.'s fifth studio album, Back from Hell. It was released on March 11, 1991, by Profile Records and was produced by Jam Master Jay. "Faces" peaked at number 57 on the Billboard Hot R&B Singles chart and number 13 on the Hot Rap Singles chart.
The album received poor reviews from music critics. Alex Henderson from AllMusic gave Back from Hell three stars out of five, saying "By 1990, Run-D.M.C.'s popularity had decreased dramatically, and the Queens residents had lost a lot of ground to both West Coast gangster rappers like Ice Cube, Ice-T and Compton's Most Wanted.
"On the Way Down" is the debut single of American musician Ryan Cabrera, released from his 2004 studio album, Take It All Away. Cabrera co-wrote the song with Curtis Frasca and Sabelle Breer and produced it with Goo Goo Dolls frontman John Rzeznik. Released on May 24, 2004, the song peaked at number 15 on the US Billboard Hot 100 on
"Run Away" is a song by alternative rock group Live, which was released as a single from their 2003 album, Birds of Pray. The American release, which was issued only as a single-track radio promo, is a re-recorded version of the song with country music artist Shelby Lynne sharing lead vocals with Ed Kowalczyk .
"Nowhere to Run, Nowhere to Hide" is the second single released from the Gravediggaz' debut album, 6 Feet Deep. Produced by the group's producer, Prince Paul (The Undertaker), "Nowhere to Run, Nowhere to Hide" was a minor hit on the Rap charts, where it peaked at 32. The song interpolates Martha and the Vandellas "Nowhere to Run".
"All Falls Down" is a song by Norwegian record producer and DJ Alan Walker, with British DJ and producer Digital Farm Animals, American singer Noah Cyrus, and featuring Swedish singer Juliander. It was composed by Digital Farm Animals, Pablo Bowman, Sarah Blanchard and its producers Walker, Mood Melodies, Digital Farm Animals and the Six, with lyrics written by the Six, Bowman,
The video features the band inside a car being driven around by a chauffeur, who appears to be unimpressed by the group (at one point he turns off the car radio, stopping the song). The car stops inside a tunnel and the girls walk towards the end of it, which cuts to the band playing and dancing over a red background.
He finishes by saying that, "The song hits all the right stops to create the perfect feel-good jam, with the cheeky-sounding guitar licks and the “Little bit o’ left, little bit o’ right” hook almost seeming to mimic the movements of the swerving vehicle." [1] Taste of Country editor Billy Dukes rated the song 4.5 stars out of 5.