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Take Me a_Part, the Remixes (stylized in all caps) is a remix album by American singer and songwriter Kelela, released on October 5, 2018. The album consists of reworkings of songs from Kelela's debut studio album, Take Me Apart (2017), from DJs and producers such as Kaytranada , Rare Essence , Serpentwithfeet , and more.
[3] [4] A vocal version of the remix featuring Norwegian singer Ane Brun was subsequently produced, titled "Can't Stop Playing (Makes Me High)", and it was released in the United Kingdom through Ministry of Sound on 12 April 2015, [5] where it debuted and peaked at number four on the UK Singles Chart.
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
Karaoke Remix Vol.1 is the second compilation album by German power metal band Helloween. It was only released in Japan. It was only released in Japan. It features instrumental tracks from the Kai Hansen and Michael Kiske eras.
"Can't Get Enough" spawned an official remix with rapper Latto on January 26, 2024; a second music video for the remix was released with a different theme and concept. The latter featured high-concept vignettes, including a scene with Lopez walking downtown and scenes with Latto.
"Keep It Comin' (Dance Till You Can't Dance No More)" is a song by American musical group C+C Music Factory featuring vocals by Q-Unique and Deborah Cooper. In the US, the single went to number one on the Billboard Hot Dance Club Play chart. [ 1 ]
"Can't Get It Back" was released as the first single on October 16, 2001 in the United States where it peaked at 91 on Billboard ' s Hot R&B/Hip-Hop Songs chart. [2] With Blaque Out eventually being shelved, "Can't Get It Back" was later re-recorded, remixed, and released by British girl group Mis-Teeq in 2003.
The song was described as a "modern" reimagination of the 1993 song, [4] with Guetta having found a formula "that works for him when it comes to scoring new hits" and sticking with it. [1] For the song, Guetta utilised the "iconic" riff, melodies and a few lyrics from the original, putting a modern spin to it. [ 5 ]