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The lowest classes in the Middle Ages did not have access to the same clothing as nobility. Poor men and women working in the fields or wet or muddy conditions often went barefoot. [69] Upper and middle-class women wore three garments and the third garment was either a surcoat, bliaut, or cotehardie. These were often lavish garments, depending ...
Women's clothing in Western Europe went through a transition during the early medieval period as the migrating Germanic tribes adopted Late Roman symbols of authority, including dress. In Northern Europe, at the beginning of the period around 400 - 500 AD in Continental Europe and slightly later in England, women's clothing consisted at least ...
A kirtle (sometimes called cotte, cotehardie) is a garment that was worn by men and women in the European Middle Ages.It eventually became a one-piece garment worn by women from the late Middle Ages into the Baroque period.
In the Late Middle Ages, women such as Saint Catherine of Siena, who helped stimulate interest in a crusade with Pope Gregory XI to reform Catholic Church, [12] and Saint Teresa of Ávila, who emphasized impact of the love of God on the heart, [13] played significant roles in the development of theological ideas and discussion within the church ...
During the Middle Ages hair was charged with cultural meaning. Hair could be used to convey messages of social differentiation. [8] The wimple was introduced in England late in the century. It consisted of a linen cloth that covered the throat (and often the chin as well), and that was fastened about the head, under the veil.
The Middle Ages, particularly the 14th and 15th centuries, were home to some of the most outstanding and gravity-defying headwear in history. Before the hennin rocketed skywards, padded rolls and truncated and reticulated headdresses graced the heads of fashionable ladies everywhere in Europe and England.
The Pre-Raphaelite Brotherhood became interested in the ideals and clothing of the Middle Ages and Renaissance. As a result, the bliaut as then understood is frequently featured upon women in their works. The most popular example of this particular garment in Pre-Raphaelite art may be The Accolade by Edmund Blair Leighton.
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h ɛ n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]