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"The English Wool Trade in the Reign of Edward IV". The Cambridge Historical Journal. 2 (1): 17–35. Eileen Power, The Wool Trade in English Medieval History: Being the Ford Lectures [1939] (London: Oxford University Press, [1941]) T. H. Lloyd, The English Wool Trade in the Middle Ages (Cambridge: Cambridge University Press, 1977)
The lowest classes in the Middle Ages did not have access to the same clothing as nobility. Poor men and women working in the fields or wet or muddy conditions often went barefoot. [69] Upper and middle-class women wore three garments and the third garment was either a surcoat, bliaut, or cotehardie. These were often lavish garments, depending ...
Harold Godwinson, last Anglo-Saxon king of England, as depicted in the Bayeux Tapestry. He is shown wearing a tunic, cloak, and hose. Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It ...
Women's clothing in Western Europe went through a transition during the early medieval period as the migrating Germanic tribes adopted Late Roman symbols of authority, including dress. In Northern Europe, at the beginning of the period around 400 - 500 AD in Continental Europe and slightly later in England, women's clothing consisted at least ...
An escoffion ([ɛsˈkɔfiˌjã]) is a piece of female medieval headwear which was popular during the Late Middle Ages (1250–1500). It originated and was popular in European countries such as England, France and Germany, and several Balkan states. The headpiece was made out of a thick, circular roll of material like wool, felt or silk.
During the Middle Ages hair was charged with cultural meaning. Hair could be used to convey messages of social differentiation. [8] The wimple was introduced in England late in the century. It consisted of a linen cloth that covered the throat (and often the chin as well), and that was fastened about the head, under the veil.
Favier, Jean, Gold and Spices: The Rise of Commerce in the Middle Ages, London, Holmes and Meier, 1998, ISBN 0-8419-1232-7. Hayward, Maria: Dress at the Court of King Henry VIII, Maney Publishing, 2007, ISBN 1-904350-70-4; Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. New York: Rizzoli, 1995. ISBN 0-8478-1940-X.
Scarlet was a type of fine and expensive woollen cloth common in Medieval Europe. In the assessment of John Munro, 'the medieval scarlet was therefore a very high-priced, luxury, woollen broadcloth, invariably woven from the finest English wools, and always dyed with kermes, even if mixed with woad, and other dyestuffs.