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A Hukamnama (Punjabi: ਹੁਕਮਨਾਮਾ, translit. Hukamanāmā ), in modern-times, refers to a hymn from the Guru Granth Sahib which is given as an injunction, order, or edict to Sikhs . It also refers to edicts issued by the contemporary Takhts .
Shabad da abhiaas karnaa – Practice and rehearse the shabads. 9. Sat Saroop Satgur daa dhian dharnaa – Contemplate and assimilate the beautiful truth of the True Enlightener. 10. Guru Granth Sahib Jee noo Guru mananaa – Believe in and accept Guru Granth Sahib as the Guide to enlightenment. 11.
This hukamnama alludes to the idea of the ceremony and Khalsa predating its formalization as part of Sikh orthodoxy and orthopraxy in Anandpur in 1699. Amrit Sanchar was formally initiated in 1699 when Gobind Singh established the order of the Khalsa at Anandpur Sahib. [8] The day is now celebrated as Vaisakhi.
The principal Sikh scripture is the Adi Granth (First Scripture), more commonly called the Guru Granth Sahib.The second most important scripture of the Sikhs is the Dasam Granth.
Hukam (Punjabi: ਹੁਕਮਿ / حکم) is a Punjabi word derived from the Arabic hukm, meaning "command" or "divine order." [1] In Sikhism, Hukam represents the goal of becoming in harmony with the will of God and thus attaining inner peace.
The Sikh Reference Library was established by the SGPC with a resolution dated 27 October 1946. [1] The library had its roots in a meeting of the Sikh Historical Society under the presidency of Princess Bamba on 10 February 1945 at Khalsa College, Amritsar which established the Central Sikh library. [1]
"Aaj Raat Chandni" 291 "Aaj Raat Chandni"(Sad) 292 "Aaj Raat Chandni"(Version ll) Kasak 293 Barsa Paani Barsa Rajesh Roshan Rajesh Roshan: Khel: 294 "Na Hai Zameen, Na Aasman, Laaye Kahan Ho Humko" Amit Kumar Khule-Aam: 295 "Tujhko Maine Dil Diya Tujhse Maine Pyar Kiya" R. D. Burman: Gautam Roy Lambu Dada: 296 "Chhod Ke Na Ja" Rajesh Roshan: 297
The novel Subhagji da Sudhar Hathin Baba Naudh Singh, popularly known as Baba Naudh Singh (serialised in Nirguniara from 1907 onwards and published in book form in 1921), shares with the epic Rana Surat Singh (which he had started serialising in 1905) Vir Singh's interest in the theme of a widow's desperate urge for a reunion with her dead husband.