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My Belief: Essays on Life and Art is a collection of essays by Hermann Hesse. The essays, written between 1904 and 1961, were originally published in German, either individually or in various collections between 1951 and 1973. This collection in English was first published in 1974, edited by Theodore Ziolkowski.
The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
[1] Art, a concept separate from both work and creator, thus exists as the source for them both. Rather than control lying with the artist, art becomes a force that uses the creator for art's own purposes. Likewise, the resulting work must be considered in the context of the world in which it exists, not that of its artist. [2]
A Discourse on the Moral Effects of the Arts and Sciences (1750), also known as Discourse on the Sciences and Arts (French: Discours sur les sciences et les arts) and commonly referred to as The First Discourse, is an essay by Genevan philosopher Jean-Jacques Rousseau which argued that the arts and sciences corrupt human morality. It was ...
All bad art comes from returning to Life and Nature, and elevating them into ideals. Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art. Lying, the telling of beautiful untrue things, is the proper aim of Art. The essay ends with the two characters going outside, as Cyril asked ...
[1] [2] Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience. [ 3 ] Schopenhauer's aesthetic theory is introduced in Book 3 of The World as Will and Representation , Vol. 1, and developed in essays in the second volume.
The collection includes essays on the subjects of sociology, ethics and philosophy.In the eponymous essay, Russell displays a series of arguments and reasoning with the aim of stating how the 'belief in the virtue of labour causes great evils in the modern world, and that the road to happiness and prosperity lies instead in a diminution of labour' and how work 'is by no means one of the ...
The term "defamiliarization" was first coined in 1917 by Russian formalist Viktor Shklovsky in his essay "Art as Device" (alternate translation: "Art as Technique"). [1]: 209 Shklovsky invented the term as a means to "distinguish poetic from practical language on the basis of the former's perceptibility."