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"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. [2] John Julian in his A Dictionary of Hymnology calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first ...
Joachim Neander (1650 – 31 May 1680) was a German Reformed Church teacher, theologian and hymnwriter whose most famous hymn, Praise to the Lord, the Almighty, the King of Creation (German: Lobe den Herren, den mächtigen König der Ehren) has been described by John Julian in his A Dictionary of Hymnology as "a magnificent hymn of praise to God, perhaps the finest creation of its author, and ...
The book contains a table of contents, followed by a preface with a message from the church's first presidency, which encourages church members to use the hymn book at meetings and in their homes to invite the spirit and to teach doctrine.
El Shaddai (אל שׁדי) is most often translated as "God Almighty". El-Elyon na Adonai (אל עליון נא אדני) is a combination of two names for God, meaning "God Most High, please my Lord". (The 'ai' in 'Adonai' is a possessive.)
Hymns based on Psalm 36 include in English "Praise to the Lord, the Almighty" and "Immortal, Invisible, God Only Wise". [34] The refrain and the first stanza of the German song "Herr, deine Güte reicht, so weit der Himmel ist" (Lord, your goodness extends as far as heaven)", published in 1965 with text by Gerhard Valentin and a melody by ...
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...
Johann Sebastian Bach composed the church cantata Lobe den Herren, den mächtigen König der Ehren (Praise the Lord, the mighty King of honor), [1] BWV 137, in Leipzig for the twelfth Sunday after Trinity and first performed it on 19 August 1725. The chorale cantata is based on the hymn by Joachim Neander (1680).
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