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Stalin proceeded to use it to promote Communism throughout the world for the benefit of the USSR. [119] When this topic was a difficulty dealing with the Allies in World War II, Comintern was dissolved. [118] Similarly, "The Internationale" was dropped as the national anthem in favor of the "Hymn of the Soviet Union". [120]
Before 1932, most Soviet propaganda posters showed Lenin and Stalin together. [7] This propaganda was embraced by Stalin, who made use of their relationship in speeches to the proletariat, stating Lenin was "the great teacher of the proletarians of all nations" and subsequently identifying himself with the proletarians by their kinship as ...
Russian World War 1 propaganda posters generally showed the enemies as demonic, one example showing Kaiser Wilhelm as a devil figure. [13] They would all depict the war as ‘patriotic’, with one poster saying that the war was Russia’s second ‘patriotic war’, the first being against Napoleon.
Before his 1913-1917 exile in Siberia, Stalin was one of the Bolshevik operatives in the Caucasus, organizing cells, spreading propaganda, and raising money through criminal activities. Stalin also formed the Outfit, a criminal gang that were involved with armed robberies, racketeering, assassinations, arms procurement and child couriering. [17]
Lenin implemented the NEP to ensure the survival of the socialist state following seven years of war (World War I, 1914–1917, and the subsequent Civil War, 1917–1921) and rebuilt Soviet production to its 1913 levels. But Russia still lagged far behind the West, and Stalin and the majority of the Communist Party felt the NEP not only to be ...
The form was used to encourage patriotism and material action such as paying for war bonds. [11] As one person from the Art Institute of Chicago put it, the posters "create a mood of urgency while visually aggrandizing the Soviet soldier, defining the Nazi enemy as vile and subhuman, and emphasizing the woeful suffering of the Soviet people ...
In the early days of the pandemic, British historian Orlando Figes began his “lockdown” book: a survey of the ideas, myths and beliefs that have molded Russians over the last thousand years ...
This propaganda stood in sharp contradiction with the anti-religious propaganda that had been produced in the 1920s that blamed the church for preaching unqualified patriotism in World War I. To a lesser degree, it also differed from the criticism of Christians who had fought for Russia in World War I but who would not take up arms for the USSR.