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Blade Runner is a 1982 science fiction film directed by Ridley Scott from a screenplay by Hampton Fancher and David Peoples. [7] [8] Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep?
This article became the book Future Noir: The Making of Blade Runner. [128] The book chronicles Blade Runner ' s evolution, focusing on film-set politics, especially the British director's experiences with his first American film crew; of which producer Alan Ladd, Jr. has said, "Harrison wouldn't speak to Ridley and Ridley wouldn't speak to ...
The Bladerunner (also published as The Blade Runner) is a 1974 science fiction novel by Alan E. Nourse, about underground medical services and smuggling.It was the source for the title, but no major plot elements, of the 1982 film Blade Runner, adapted from the novel Do Androids Dream of Electric Sheep? by Philip K. Dick, [1] though elements of the Nourse novel recur in a pair of 2002 films ...
A new audiobook version was released in 2007 by Random House Audio to coincide with the release of Blade Runner: The Final Cut. This version, read by Scott Brick, is unabridged and runs approximately 9.5 hours over eight CDs. This version is a tie-in, using the Blade Runner: The Final Cut film poster and Blade Runner title. [6]
Pages in category "Blade Runner (franchise) novels" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. B.
The book's plot draws from other material related to Blade Runner in a number of ways: . Deckard, Pris, Sebastian, Leon, Batty, and Holden all appeared in Blade Runner.; Many of the parts of the "conspiracy" are based on errors or plot holes identified by fans of the original movie, such as Leon's ability to bring a gun into the Tyrell building, or the reference to the sixth replicant.
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His top Blade Runner, Holden, was in hospital on a medical ventilator after an encounter with the Leon replicant, earlier in the film. Bryant uses thinly-veiled threats against Rick Deckard, a retired Blade Runner, to enlist his aid. Deckard's narration in the original theatrical version compares Bryant to the racist cops of the past.