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Randall was married to his high school sweetheart, Florence Gibbs, [19] from 1938 until her death from cancer on April 18, 1992. They had no children. They had no children. On November 17, 1995, at the age of 75, he married 25-year-old Heather Harlan, [ 20 ] an understudy from the production of The School for Scandal in which Randall was ...
Florence Gibbs (née Reville; April 4, 1890 – August 19, 1964) was a Democratic congresswoman. Elected in special election to replace her deceased husband, she became the first woman to represent Georgia in the United States House of Representatives , serving for three months from October 3, 1940, to January 3, 1941.
Mifflin Wistar Gibbs – American consul to Madagascar 1897 (also judge) William H. Lacy – postmaster of Harwood Island February 16, 1885 – August 2, 1893 [11] James W. Mason – postmaster of Sunny Side February 2, 1867 – April 11, 1871 (also Arkansas Senate, probate judge, and sheriff) [11]
A Watcher in the Woods is a 1976 mystery novel by Florence Engel Randall that was published by Atheneum Books.. It was re-released by Scholastic Book Services in 1980 with a new title, The Watcher in the Woods (ISBN 0-590-31334-7) to tie-in with Walt Disney Studios' film adaptation with this new, slightly altered name.
Florence Engel Randall (October 18, 1917 – September 4, 1997) [2] was an American author. Over the course of her career, Randall authored five novels and penned more than one hundred short stories. [ 3 ]
Room 222 is an American comedy-drama television series produced by 20th Century Fox Television that aired on ABC for 112 episodes, from September 17, 1969, until January 11, 1974.
The 1854–55 United States House of Representatives elections were held in 31 states for all 234 seats between August 4, 1854, and November 6, 1855, during President Franklin Pierce's term.
Filmed on location in New York City, the series concerned the detectives of NYPD's 65th Precinct (changed from the film's 10th Precinct). Episode plots usually focused more on the criminals and victims portrayed by guest actors, characteristic of the "semi-anthology" narrative format common in early 1960s television (so called by the trade paper Variety). [3]