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However, until relatively recently the art had little global impact. [citation needed] Wearing of moko by non-Māori has been called cultural appropriation, [29] and high-profile uses of Māori designs by Robbie Williams, Ben Harper and a 2007 Jean Paul Gaultier fashion show were controversial. [30] [31] [32] [33]
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Europeans began producing art in New Zealand as soon as they arrived, with many exploration ships including an artist to record newly discovered places, people, flora and fauna. The first European work of art made in New Zealand was a drawing by Isaac Gilsemans, the artist on Abel Tasman's expedition of 1642. [16] [17]
Moko were expensive to obtain and elaborate moko were usually limited to chiefs and high-ranked warriors. Moreover, the art of moko, the people who created and incised the designs, as well as the moko themselves, were surrounded by strict tapu and protocol. [1]: 1–3 Moko design
Takiroa Rock Art Shelter; Tāniko; Tātua; Te Maori; Te Maori: Te Hokinga Mai; Te Roopu Raranga Whatu o Aotearoa; Te Uenuku; Te Waka Toi awards; Tekoteko; Toi Māori Aotearoa; Toi moko; Toi Tū Toi Ora: Contemporary Māori Art; Tukutuku
Tukutuku panelling is a distinctive art form of the Māori people of New Zealand, a traditional latticework used to decorate meeting houses (Wharenui). [1] Other names are Tuitui and Arapaki. Tukutuku flank the posts around the edge of the wharenui, the posts are usually carved and represent ancestors. [2] The patterns of tukutuku have symbolic ...
The publication, Toi Tū Toi Ora: Contemporary Māori Art, was edited by Nigel Borell, designed by Tyrone Ohia and the layout by Katrina Duncan. [5]The publication won multiple awards, including Gold at the Best Design Awards 2022 (Designer's Institute of New Zealand) for 'Editorial and Books' along with Gold in the 'Toitanga' Maori design category.
Designs on carvings depict tribal ancestors, and are often important for establishing iwi and hapu identity. [ 2 ] After European contact, many traditionally carved items were no longer widely produced in favour of using Western counterparts, such as waka huia treasure containers being replaced with lockable seaman's chests by the 1840s. [ 3 ]
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