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Fra Angelico, O.P. (born Guido di Pietro; c. 1395 [1] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [2]
The Annunciation of Cortona was painted by Fra Angelico in 1433–1434, in tempera on panel, 175 cm x 180 cm. [1]. This is one of three Annunciations by Fra Angelico on panel (the other two are in the Prado Museum, and the Museo della Basilica di Santa Maria delle Grazie, in San Giovanni Valdarno.
The work was painted for a side altar in the Convent of San Domenico, Fiesole, where Fra Angelico was a friar.For the same church he also contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre (c. 1424–1435) .
The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
The work is Fra Angelico's first documented work. It comes from the convent of San Pietro Martire and a document from 30 March 1429 notes a sum of 20 florins owed to the convent of San Domenico, Fiesole, where the painter was a monk.
The Annunciation of San Giovanni Valdarno is a painting by the Italian Early Renaissance master Fra Angelico, painted c. 1430 to 1432 in tempera on panel. It is part of a series of Annunciation panels painted by Fra Angelico in the 1430s. The other two are the Annunciation of Cortona and the Annunciation.
Wedding at Cana, Baptism and Transfiguration Fra Angelico, Flight into Egypt Fra Angelico, Massacre of the Innocents From drawings by Fra Angelico, Christ Washing the Disciples' Feet The panels of the Armadio degli Argenti (Italian: Wardrobe of the Silversmiths ) are a series of tempera paintings on panel created by Fra Angelico ca. 1451–1453 ...
Madonna and Child is a c.1435 fresco fragment by the Italian Renaissance master Fra Angelico in the sacra conversazione style. It was originally painted in the dormitory of the Convent of San Domenico, Fiesole.