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The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent.
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Ionesco is often considered a writer of the Theatre of the Absurd, a label originally given to him by Martin Esslin in his book of the same name. Esslin, placed Ionesco alongside contemporaries Samuel Beckett, Jean Genet, and Arthur Adamov, calling this informal group "absurd" on the basis of Albert Camus' concept of the absurd. In Esslin's ...
Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born British producer, dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama, known for coining the term "theatre of the absurd" in his 1961 book The Theatre of the Absurd. This work has been called "the most influential ...
Adamov (originally Adamian) was born in Kislovodsk in the Terek Oblast of the Russian Empire to a wealthy Armenian family. [2]:92 At the outbreak of the First World War, the family was at risk of being interned as "enemy citizens", and only "through the special intervention of the King of Wurttemberg" were they able to escape to Geneva, Switzerland.
Some critics have argued that some of his work constitutes an American variant of what Martin Esslin identified as and named the Theater of the Absurd. [1] Three of his plays won the Pulitzer Prize for Drama and two of his other works won the Tony Award for Best Play. His works are often considered frank examinations of the modern condition.
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Examples include: Epic theatre, the Theatre of Cruelty, and the so-called "Theatre of the Absurd". The term theatre practitioner came to be used to describe someone who both creates theatrical performances and who produces a theoretical discourse that informs their practical work. [100] A theatre practitioner may be a director, a dramatist, an ...