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The Berlin Secession [1] was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art.
In his opening speech on 19 May 1848, Gagern defined the main tasks of the national assembly as the creation of a "constitution for Germany" and the achievement of German unification. This was followed by a total of 230 sessions, supported by 26 committees and five commissions, in the course of which the deputies developed the Frankfurt ...
While the 1920s to 1940s are considered the heyday of modern art movements, there were conflicting nationalistic movements that resented abstract art, and Germany was no exception. Avant-garde German artists were now branded both enemies of the state and a threat to the German nation.
Constitutionalism is descriptive of a complicated concept, deeply embedded in historical experience, which subjects the officials who exercise governmental powers to the limitations of a higher law. Constitutionalism proclaims the desirability of the rule of law as opposed to rule by the arbitrary judgment or mere fiat of public officials ...
Landtag (state parliament) of the state of Baden-Württemberg. The Basic Law for the Federal Republic of Germany divides authority between the federal government and the states (German: "Länder"), with the general principle governing relations articulated in Article 30: "Except as otherwise provided or permitted by this Basic Law, the exercise of state powers and the discharge of state ...
The painting Germania, possibly by Philipp Veit, hung inside the Frankfurt parliament, the first national parliament in German history. The German revolutions of 1848–1849 (German: Deutsche Revolution 1848/1849), the opening phase of which was also called the March Revolution (German: Märzrevolution), were initially part of the Revolutions of 1848 that broke out in many European countries.
Their efforts in this regard were unquestionably aided by a popular hostility to Modernism that predated their movement. [6] The view that such art had reflected Germany's condition and moral bankruptcy was widespread, and many artists acted in a manner to overtly undermine or challenge popular values and morality. [7]
The group also had chapters throughout Germany during its existence, and brought the German avant-garde art scene to world attention by holding exhibits in Rome, Moscow and Japan. Its members also belonged to other art movements and groups during the Weimar Republic era, such as architect Walter Gropius (founder of Bauhaus ), and Kurt Weill and ...