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The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a protest and union song of the Civil Rights Movement. [2] The text is based on biblical scripture: Blessed is the man that trusteth in the L ORD, and whose hope the L ORD ...
Jerome: " This must be referred to the time when the Apostles were sent to preach, when it was said to them, Go not into the way of the Gentiles; they should not fear, but may shun persecution. This we see the believers did in the beginning, when on a persecution arising in Jerusalem they were scattered throughout all Judea, and thus the season ...
Glossa Ordinaria: Or, He says his righteousness, as though He were to say, ‘Ye are made righteous through Him, and not through yourselves.’ [5] Pseudo-Chrysostom: The earth for man’s sin is accursed that it should not put forth fruit, according to that in Genesis, Cursed is the ground in thy works; but when we do well, then it is blessed ...
The Song of Hannah is a poem interpreting the prose text of the Books of Samuel. According to the surrounding narrative, the poem ( 1 Samuel 2:1–10 ) was a prayer delivered by Hannah , to give thanks to God for the birth of her son, Samuel .
For truly, I say to you, many prophets and righteous people longed to see what you see, and did not see it, and to hear what you hear, and did not hear it. (Matthew 13:17, ESV) And he said to them, “I have earnestly desired to eat this Passover with you before I suffer.
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One of the Songs of Ascents, Psalm 122 appears in Hebrew on the walls at the entrance to the City of David, Jerusalem.. Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the superscription "Shir Hama'aloth" (Hebrew: שיר המעלות, romanized: šir ham-ma‘loṯ, lit.
It is the second song on side B of the Columbia LP containing 12 songs in all. Though a "pop" song, radio stations across the United States continue to program George Morgan's version as a gospel selection to this day. [citation needed] The song was performed live by Leonard Cohen since 1988 and was released on his album Live in London (2009).