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The Old English Consolation texts are known from three medieval manuscripts/fragments and an early modern copy: [2]. Oxford, Bodleian Library, MS Bodley 180 (known as MS B). Produced at the end of the eleventh century or the beginning of the twelfth), translating the whole of the Consolation (prose and verse) into pro
In 1976, Gilpin was awarded the Walt Whitman Award by the Academy of American Poets for her book of poems titled The Hocus-Pocus of the Universe. She was selected by William Stafford. [2] Her work was also published in the magazine Poetry. [3] Gilpin later wrote another book of poetry, titled The Weight of a Soul, which was published ...
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
The poem was first presented as a public poetry reading at a New Year's Eve party in 1898. It was soon published in the San Francisco Examiner in January 1899 after its editor heard it at the same party. [2] The poem was also reprinted in other newspapers across the United States due to a chorus of acclaim. [2]
The poem was a literary sensation when published by Robert Dodsley in February 1751 (see 1751 in poetry). Its reflective, calm, and stoic tone was greatly admired, and it was pirated, imitated, quoted, and translated into Latin and Greek. It is still one of the most popular and frequently quoted poems in the English language. [25]
By the 1980s and 1990s, Ashbery had become a central figure in American and more broadly English-language poetry, as his number of imitators attested. [ 34 ] Ashbery's works are characterized by a free-flowing, often disjunctive syntax; extensive linguistic play, often infused with considerable humor; and a prosaic, sometimes disarmingly flat ...
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Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...