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A cliché (UK: / ˈ k l iː ʃ eɪ / or US: / k l iː ˈ ʃ eɪ /; French:) is a saying, idea, or element of an artistic work that has become overused to the point of losing its original meaning, novelty, or figurative or artistic power, even to the point of now being bland or uninteresting. [1]
The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject. You may improve this article, discuss the issue on the talk page, or create a new article, as appropriate. (December 2010) (Learn how and when to remove this message)
In these works he labeled a dull person as a "Bromide" contrasted with a "Sulphite" who was the opposite. Bromides meant either the boring person themself or the boring statement of that person, with Burgess providing many examples. This usage persisted through the 20th century into the 21st century.
An example of the cliché in use provided by Chaz Bufe is "the admonition given to Catholic schoolchildren to recite the Hail Mary or rosary to ward off 'impure thoughts'. The use of repetitive chanting by the Hare Krishnas serves the same thought-stopping purpose."
Maybe, but the fact is, there are many film cliches and movie tropes that cinema lovers are willing to accept without question, even though they’d be quite bizarre if they happened in real life.
For example, referring to the whole with the name of a part, such as "hired hands" for workers; a part with the name of the whole, such as "the law" for police officers; the general with the specific, such as "bread" for food; the specific with the general, such as "cat" for a lion; or an object with its substance, such as "bricks and mortar ...
Rice accused Bulwer-Lytton of writing "27 novels whose perfervid turgidity I intend to expose, denude, and generally make visible." Lytton Cobbold defended his ancestor, noting that he had coined many other phrases widely used today such as " the pen is mightier than the sword ", " the great unwashed ", and " the almighty dollar ".
Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier) (from "Sweet Potato Pie," Eugenia Collier)