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This began with Florentino's father Agustín Jimón, who began working with clay as a child and later taught his son. Today the children of this family grow up around clay and pottery at the family workshop in Tonalá. [1] [2] Jimón Barba primarily works in bruñido and bandera, types of Jalisco pottery. Most of the bruñido (burnished) pieces ...
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Pottery making families tend to be secretive about their practices and rarely cooperate with anyone outside the family for any aspect of the pottery making process. Superstition may surround the process, especially firing, with potters taking care to avoid "the evil eye" of neighbors and building small shrines and performing Christian and ...
This advanced pottery was introduced in the mid 20th century and is principally produced in Tlaquepaque and Tonalá. [1] The state's long history of fine pottery production has resulted in a number of highly notable ceramicists. The Pablo Jimón family is noted for bruñido work, especially jars and "pomegranate" pieces. Amado Galvan makes ...
Tonalá (Spanish pronunciation:) is a city and municipality within the Guadalajara Metropolitan Area in the state of Jalisco in Mexico. With a population of 442,440, it is the fourth largest city in the state, the other three being the other major population centres in the metro area: Guadalajara, Zapopan, and Tlaquepaque.
Analyzing intricate tattoos found on 1,000-year-old mummies, the team discovered puncture lines between 0.1 to 0.2 millimeters wide in patterns reminiscent of details found on Chancay pottery and ...
World War II-era military maps, such as those used during the D-Day invasion, are incredibly valuable because of their rarity and connection to a pivotal time in global history.
The exhibitions feature more than five decades' worth of Wilmot's pottery and ceramics as well as photographs, memorabilia and Wilmot's forays into other crafts such as glassmaking and jewelry design) . [9] The exhibitions featured between 300 and 600 pieces which were brought together from various institutional and individual collections) . [9 ...
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