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Totem pole in Vancouver, British Columbia Totem poles at the Museum of Anthropology at the University of British Columbia. The meanings of the designs on totem poles are as varied as the cultures that make them. Some poles celebrate cultural beliefs that may recount familiar legends, clan lineages, or notable events, while others are mostly ...
A sotdae (Korean pronunciation:) is a tall wooden pole or stone pillar with a carved bird on its top, built for the purpose of folk belief in Korea. [1] [2] [3] Like jangseung, wooden totem poles with a sculpted human face, it was usually erected near the entrance of a village to ward off evil spirits as well as to represent villagers' wishes for prosperity and well-being.
social (totems regulate marriage, and often a person cannot eat the flesh of their totem), cult (totems associated with a secret organization), conception (multiple meanings), dream (the person appears as this totem in others' dreams), classificatory (the totem sorts people) and; assistant (the totem assists a healer or clever person).
Some say it developed from the totem poles of ancient tribes. [1] The Huainanzi describes the feibangmu (simplified Chinese: 诽谤木; traditional Chinese: 誹謗木; pinyin: Fěibàng mù), or bangmu for short, literally "commentary board", as a wooden board set up on main roads to allow the people to write criticism of government policies.
A ceremonial pole is a stake or post utilised or venerated as part of a ceremony or religious ritual. Ceremonial poles may symbolize a variety of concepts in different ceremonies and rituals practiced by a variety of cultures around the world.
The original pole had a separate carved horned owl perched at the very top; the pole no longer has the owl on top. [14] This is a memorial pole to "Prince capsized himself" that was raised by his brother, Nespalas, who wanted his brother's position in the clan. This pole was collected by Charles F. Newcombe for the Royal Ontario Museum in 1923 ...
Depending on the location or affiliation, jangseung can be divided into village guardian, temple guardian, and public guardian. The village guardian is the god of dongje, and has the functions of village guardian, mural, expelling the harmful ghosts, fire prevention, and gathering happiness for the village.
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.