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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending like a dove on Jesus at his baptism. [5] In many paintings of the Annunciation, the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Christ's coming to Mary.
Mark, Matthew, and Luke depict the baptism in parallel passages. In all three gospels, the Spirit of God — the Holy Spirit in Luke, "the Spirit" in Mark, and "the Spirit of God" in Matthew — is depicted as descending upon Jesus immediately after his baptism accompanied by a voice from Heaven, but the accounts of Luke and Mark record the voice as addressing Jesus by saying "You are my ...
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
From the 3rd century onwards, the first narrative scenes from the Life of Christ to be clearly seen are the Baptism of Christ, painted in a catacomb in about 200, [29] and the miracle of the Raising of Lazarus, [30] both of which can be clearly identified by the inclusion of the dove of the Holy Spirit in Baptisms, and the vertical, shroud ...
The images linked to below are of the remaining six paintings of the first series, and an engraving of the lost painting Penance: Baptism (image) Ordination (image)
On the morning of the vísperas ("eve", i.e., the day before) of the feast, the images of Santo Niño de Cebu and Nuestra Señora de Guadalupe de Cebú are brought back to Cebu City in a fluvial procession that concludes with a reenactment of the first Mass and baptism in the islands.
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]