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In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women. [10] The áo dài dress for women was extremely popular in South Vietnam in the 1960s and early 1970s. On Tết and other occasions, Vietnamese men may wear an áo gấm (brocade robe), a version of the áo dài made of very thick fabric and with ...
Initially, Áo tứ thân was worn by both men and women, but gradually became the traditional dress of women. [35] [36] Áo tứ thân is a symbol of Vietnamese culture. [37] [38] It is associated with the image of Vietnamese women who are gentle, graceful, and capable. [39] Today, Áo tứ thân is not as widely used as before. [40]
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
Vietnamese tunics are called áo dài, [11] [12] is a garment now customarily worn by both Vietnamese men and women. It is similar to the kurta of the Indian subcontinent countries, [13] and the cheongsam of China. [14] The áo dài was developed from the clothing worn in Chinese court but it could only be worn by the royalty originally. [15]
Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
The Vietnamese civilians (man and woman) in Lê dynasty wearing áo giao lĩnh. In the 17th and 18th century, the áo giao lĩnh worn by men was an ankle-level gown which could be used as part of a formal attire; it was composed of four-panel of fabric and was loose-fitting and featured a jiaoling youren collar, loose sleeves, and side slits.
Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.
Two of the most well-known Vietnamese traditional genres are: Imperial Court music: When referring specifically to the "Nhã nhạc" form it includes court music from the Trần dynasty on to the Nguyễn dynasty. It is an elaborate form of music which features an extensive array of musicians and dancers, dressed in extravagant costumes.
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