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"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as Specialty single 624, and later on Little Richard in March 1958. [1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little ...
"Miss Polly Had a Dolly" also known as "Miss Polly had a little dolly", "Miss Polly" or "Miss Molly had a Dolly" is an English-language nursery rhyme, folk song, children's song and action song of Scottish origin. It has a Roud Folk Song Index number of 16289. [1]
Nine of its twelve tracks charted in the US including Richard's fourth million-seller "Lucille", the rock and roll standard "Good Golly, Miss Molly" and "The Girl Can't Help It", the title song from the motion picture of the same name. Among the previously unreleased tracks are two Tin Pan Alley songs recorded in Richard's frantic style.
Two of the latter songs and "Good Golly, Miss Molly" were listed on the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. [258] A 2010 UK issue of GQ named Richard its Man of the Year in its Legend category. [106] Richard appeared in person to receive an honorary degree from Mercer University in 2013. [259]
John S. Marascalco (March 27, 1931 [1] – July 5, 2020 [2]) was an American songwriter most noted for the songs he wrote for Little Richard. [1] He was born in Grenada, Mississippi and died in Los Angeles, California .
The song describes a femme fatale in a blue dress and not an actual devil. [ 3 ] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City [ 4 ] as a medley with an original arrangement of Little Richard 's " Good Golly, Miss Molly ".
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The song's new rhythm became the basis for the standard rock beat, which was later consolidated by Chuck Berry. [ 4 ] In 2007, an eclectic panel of renowned recording artists voted "Tutti Frutti" No. 1 on Mojo ' s "The Top 100 Records That Changed The World," [ 25 ] hailing the recording as "the sound of the birth of rock and roll ."