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The words of the hymn were initially written by St. Francis of Assisi [2] in 1225 in the Canticle of the Sun poem, which was based on Psalm 148. [3] The words were translated into English by William Draper, who at the time was rector of a Church of England parish church at Adel near Leeds. Draper paraphrased the words of the Canticle and set ...
Psalm 148 is the 148th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord from the heavens". In Latin, it is known as "Laudate Dominum de caelis". [1] The psalm is one of the Laudate psalms. Old Testament scholars have also classified it as a creation psalm and a wisdom psalm. [2] [3]
Psalm 148 is a composition for voice and piano by Leonard Bernstein, a setting of Psalm 148 in English dated 1935. The art song is the composer's earliest surviving work, influenced by the music at the synagogue where he worshiped. He adapted the psalm text to metered poetry, and composed the work in a traditional fashion.
The psalms themselves are named from the Latin word laudate, or "praise ye", which begins psalms 148 and 150. At Lauds, according to the Roman Rite , they were sung together following the canticle under one antiphon and under one Gloria Patri until the reforms instituted by St. Pius X in 1911.
The first seven images preceding the text depict scenes from the life of David, the author of the psalms, who is usually accompanied by personifications. The eighth miniature marks the beginning of the penitential Psalms; and the last 6, depicting Moses, Jonah, Hannah, Ezekiel and Hezekiah, introduce and illustrate the Canticles of the Old ...
Like Psalms 146, 147, 148, and 149, Psalm 150 begins and ends in Hebrew with the word Hallelujah. [3] Further, David Guzik notes that each of the five books of Psalms ends with a doxology (i.e., a benediction), with Psalm 150 representing the conclusion of the fifth book as well as the conclusion of the entire work, [4] in a more elaborate manner than the concluding verses which close the ...
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The illustration for Psalm 115 shows a crucifixion with a chalice catching the blood flowing from the side of Christ. The earliest known comparable images are a miniature from the Drogo Sacramentary (dated 840–855), and an ivory from the Pericopes of Henry II (dated 840–870). This illustration leads to one argument for a later date for the ...