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Kwaidan is a symphony of color and sound that is truly past compare." [15] Variety described the film as "done in measured cadence and intense feeling" and that it was "a visually impressive tour-de-force." [16] In his review of Harakiri, Roger Ebert described Kwaidan as "an assembly of ghost stories that is among the most beautiful films I've ...
Kwaidan: Stories and Studies of Strange Things (怪談, Kaidan, also Kwaidan (archaic)), often shortened to Kwaidan ("ghost story"), is a 1904 book by Lafcadio Hearn that features several Japanese ghost stories and a brief non-fiction study on insects. [1] It was later used as the basis for a 1964 film, Kwaidan, by Masaki Kobayashi. [2]
Masaki Kobayashi (小林 正樹, Kobayashi Masaki, February 14, 1916 – October 4, 1996) was a Japanese film director and screenwriter, best known for the epic trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology Kwaidan (1964). [1]
Kaidan entered the vernacular during the Edo period, when a parlour game called Hyakumonogatari Kaidankai became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.The popularity of the game, as well as the acquisition of a printing press, led to the creation of a literary genre called kaidanshu.
Masaki Kobayashi was a Japanese film director, screenwriter and producer who has directed twenty films in a career spanning 33 years. He is best known for The Human Condition Trilogy, the Academy Award–nominated horror film Kwaidan and the jidaigeki films Harakiri and Samurai Rebellion. [1] [2]
Kaidan is a Japanese ghost story or horror story.. Kaidan or Kwaidan may also refer to: . Kwaidan: Stories and Studies of Strange Things, 1904 book by Lafcadio Hearn . Kwaidan, a 1964 Japanese film by Masaki Kobayashi based on the Hearn book
In 1965, the film Kwaidan was released. Directed by Masaki Kobayashi, Kwaidan is an anthology film comprising four stories, each based upon traditional ghost stories. [10] Similar to Onibaba, Kwaidan weaves elements of Noh theater into the story. [9]
The film opens on two sculptors walking through a snow-covered forest in feudal Japan. The men find a large tree that the elder master wants to cut down and carve into a statue of the Buddhist goddess Kannon. A blizzard begins and the men shelter in an abandoned cottage. While sleeping, a woman enters the cottage and freezes the master to death.