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The Burning Bed is a 1984 television drama film starring Farrah Fawcett, Paul Le Mat, and Richard Masur.Based on the 1980 non-fiction novel of the same name by Faith McNulty, it follows battered housewife Francine Hughes and her trial for the murder of her abusive husband, James Berlin "Mickey" Hughes.
The FTA Show, the overseas part of which the film documents, was created as a response to Bob Hope's patriotic and pro-war USO tour. [5]The Bob Hope show was becoming less and less of a hit with G.I.s and by 1970 both The New York Times and The Washington Post were taking note of U.S. troop "disillusionment with Hope's humor and prowar message".
Kaguya-sama: Love Is War – The First Kiss That Never Ends (Japanese: かぐや様は告らせたい-ファーストキッスは終わらない-, Hepburn: Kaguya-sama wa Kokurasetai: Fāsuto Kissu wa Owaranai) is a 2022 Japanese animated romantic comedy film based on the manga series of the same name by Aka Akasaka, that was directed by Shinichi Omata, produced by A-1 Pictures, and ...
The film is set on a farm in the Limousin region of central France during, and just after, the First World War.With her two sons Georges and Constant, and son-in-law, Clovis, serving in the army, Hortense Sandrail employs Francine Riant, a young woman brought up in an orphanage to help on the farm.
Recurring themes of Gatchaman involve conservation, environmentalism and the responsible use of technology for progress. [4] The series centers around five young superhero ninja employed by Kōzaburō Nambu of the fictitious International Science Organization to oppose an international terrorist organization of technologically advanced villains (Galactor) who are trying to control Earth's ...
Dirty Gertie from Harlem U.S.A. was the last starring role in a feature movie for Francine Everett, who was a star in race films, most notably Keep Punching (1939) and Big Timers (1945). After completing this film, she had bit roles in two Hollywood productions, Lost Boundaries (1949) and No Way Out (1950), before retiring from acting.
The cinema of Indonesia refers to films produced domestically in Indonesia. The statutory Indonesian Film Board , or BPI, defines Indonesian films as "movies that are made by or using Indonesian resources whose Intellectual Property Right is owned either entirely or partly by Indonesian citizen or Indonesian legal entity".